
Peter Grimes – Welsh National Opera
Music: Benjamin Britten
Direction: Melly Sill
Peter Grimes: Nicky Spence
Ellen Orford: Sally Matthews
Captain Balstrode: David Kempster
Music: Benjamin Britten
Direction: Melly Sill
Peter Grimes: Nicky Spence
Ellen Orford: Sally Matthews
Captain Balstrode: David Kempster
Music: Benjamin Britten
Direction: Melly Sill
Peter Grimes: Nicky Spence
Ellen Orford: Sally Matthews
Captain Balstrode: David Kempster
Music: Benjamin Britten
Direction: Melly Sill
Peter Grimes: Nicky Spence
Ellen Orford: Sally Matthews
Captain Balstrode: David Kempster
Music: Benjamin Britten
Direction: Melly Sill
Peter Grimes: Nicky Spence
Ellen Orford: Sally Matthews
Captain Balstrode: David Kempster
Music: Benjamin Britten
Direction: Melly Sill
Peter Grimes: Nicky Spence
Ellen Orford: Sally Matthews
Captain Balstrode: David Kempster
Music: Benjamin Britten
Direction: Melly Sill
Peter Grimes: Nicky Spence
Ellen Orford: Sally Matthews
Captain Balstrode: David Kempster
Music: Benjamin Britten
Direction: Melly Sill
Peter Grimes: Nicky Spence
Ellen Orford: Sally Matthews
Captain Balstrode: David Kempster
OTTORINO RESPIGHI Fontane di Roma
FAZIL SAY Concert for Percussion and Orchestra
CLAUDE DEBUSSY Prélude à l‘après-midi d‘un faune, La mer
Percussion: Adélaïde Ferrière
OTTORINO RESPIGHI Fontane di Roma
FAZIL SAY Concert for Percussion and Orchestra
CLAUDE DEBUSSY Prélude à l‘après-midi d‘un faune, La mer
Percussion: Adélaïde Ferrière
Director: Kornél Mundruczó
Rusalka: Christiane Karg
Prinz: Brian Jagde
Fremde Fürstin: Anna Samuil
Wassermann: Jongmin Park
Ježibaba: Anna Kissjudit
Director: Kornél Mundruczó
Rusalka: Christiane Karg
Prinz: Brian Jagde
Fremde Fürstin: Anna Samuil
Wassermann: Jongmin Park
Ježibaba: Anna Kissjudit
Director: Kornél Mundruczó
Rusalka: Christiane Karg
Prinz: Brian Jagde
Fremde Fürstin: Anna Samuil
Wassermann: Jongmin Park
Ježibaba: Anna Kissjudit
Director: Kornél Mundruczó
Rusalka: Christiane Karg
Prinz: Brian Jagde
Fremde Fürstin: Anna Samuil
Wassermann: Jongmin Park
Ježibaba: Anna Kissjudit
Director: Kornél Mundruczó
Rusalka: Christiane Karg
Prinz: Brian Jagde
Fremde Fürstin: Anna Samuil
Wassermann: Jongmin Park
Ježibaba: Anna Kissjudit
Bedřich Smetana
Richard Wagner: Tristan and Isolde, overture to the opera and Isolde's Love Death
Carl Maria von Weber: Clarinet Concerto No. 2 in E flat major Op. 74 – Soloist Sharon Kam
Robert Schumann: Symphony No. 4 in D minor Op. 120
Richard Wagner: Tristan and Isolde, overture to the opera and Isolde's Love Death
Carl Maria von Weber: Clarinet Concerto No. 2 in E flat major Op. 74 – Soloist Sharon Kam
Robert Schumann: Symphony No. 4 in D minor Op. 120
Music: Richard Strauss
Direction: Kirill Serebrennikov
Scene: Pierre Jorge Gonzalez
Music: Richard Strauss
Direction: Kirill Serebrennikov
Scene: Pierre Jorge Gonzalez
Music: Richard Strauss
Direction: Kirill Serebrennikov
Scene: Pierre Jorge Gonzalez
Music: Richard Strauss
Direction: Kirill Serebrennikov
Scene: Pierre Jorge Gonzalez
Music: Richard Strauss
Direction: Kirill Serebrennikov
Scene: Pierre Jorge Gonzalez
Béla Bartók Music for Strings, Percussion and Celeste
Wolfgang Amadeus Mozart Horn Concerto no 4 – Soloist Stefán Jón Bernharðsson
Robert Schumann Symphony no 4
Iceland Symphony Orchestra
Music: Richard Strauss
Direction: Kirill Serebrennikov
Scene: Pierre Jorge Gonzalez
Smetana: Bartered Bride Overture
Beethoven: Violin Concerto with David Adams
Schumann: Symphony no: 4
Welsh National Orchestra
Mozart: Clarinet Concerto in A Major with soloists Thomas Verity
Bruckner: Symphony No. 6
Welsh National Opera Orchestra
Smetana: Bartered Bride Overture
Mozart: Clarinet Concerto in A Major with Thomas Verity
Schumann: Symphony no: 4
Welsh National Orchestra
Smetana: Bartered Bride Overture
Mozart: Clarinet Concerto in A Major with Thomas Verity
Schumann: Symphony no: 4
Welsh National Orchestra
Smetana: Bartered Bride Overture
Mozart: Clarinet Concerto in A Major with Thomas Verity
Schumann: Symphony no: 4
Welsh National Orchestra
Smetana: Bartered Bride Overture
Beethoven: Violin Concerto with David Adams
Schumann: Symphony no: 4
Welsh National Orchestra
Smetana: Bartered Bride Overture
Beethoven: Violin Concerto with David Adams
Schumann: Symphony no: 4
Welsh National Orchestra
This drama about the desire for revenge, amorous passion and political intrigue is an extraordinary work to which it is not easy to find the key. British director David Pountney is one of the great admirers and promoters of Czech opera, who can bring a view that reveals the deepest layers of human drama.
Bedřich Smetana composed his third opera in 1866-67 and 16. On May 1868, he presided over its gala premiere at the New Town Theatre on the occasion of the laying of the foundation stone of the National Theatre.
Co-production of National Theatre Brno & Welsh National Opera.
Presented in Czech with Czech, English and German subtitles.
National Theatre Košice, Slovakia
Soloists include Eliška Weissová, Peter Berger, Marián Lukáč, Michaela Várady, and others.
Lose yourself in the lush and intense choral writing of Fauré’s Cantique de Jean Racine. A feverishly passionate showstopper, experience an immersive and uninterrupted flow of music with Schumann’s Symphony No. 4. Completing the afternoon, a journey from uncertainty into hope with Mozart’s timeless choral masterpiece, Requiem.
The story of a mermaid who falls in love with a human, abandons her life in the sea and fails in the world has been taken up by many a Europe's fairy tales and legends. Antonín Dvořák's Rusalka was also inspired by Andersen, but the opera, which premiered in 1901, also dealt with numerous other themes. His "lyrical fairy tale" expressed the pressing issues of the turn of the century. Civilization and nature, fears and longings, power relations and gender definitions collide in a psychologically exaggerated way. Rusalka's loss of language clearly reflects her fears of identification, exclusion and existence. Director Sven-Eric Bechtolf reflects these emotional and mental states in a surreal, unreal and oppressive world.
The story of a mermaid who falls in love with a human, abandons her life in the sea and fails in the world has been taken up by many a Europe's fairy tales and legends. Antonín Dvořák's Rusalka was also inspired by Andersen, but the opera, which premiered in 1901, also dealt with numerous other themes. His "lyrical fairy tale" expressed the pressing issues of the turn of the century. Civilization and nature, fears and longings, power relations and gender definitions collide in a psychologically exaggerated way. Rusalka's loss of language clearly reflects her fears of identification, exclusion and existence. Director Sven-Eric Bechtolf reflects these emotional and mental states in a surreal, unreal and oppressive world.
The story of a mermaid who falls in love with a human, abandons her life in the sea and fails in the world has been taken up by many a Europe's fairy tales and legends. Antonín Dvořák's Rusalka was also inspired by Andersen, but the opera, which premiered in 1901, also dealt with numerous other themes. His "lyrical fairy tale" expressed the pressing issues of the turn of the century. Civilization and nature, fears and longings, power relations and gender definitions collide in a psychologically exaggerated way. Rusalka's loss of language clearly reflects her fears of identification, exclusion and existence. Director Sven-Eric Bechtolf reflects these emotional and mental states in a surreal, unreal and oppressive world.
British director David Pountney is one of the great admirers and promoters of Czech opera. The Brno audience could see that he can present a view revealing the deepest layers of human dramas during his production of Janáček’s Her Stepdaughter (Jenůfa) in 2004. Together with him, the excellent conductor Tomáš Hanus returns to Brno on this occasion to rehearse Smetana’s Dalibor, which has not been heard on the Brno stages for almost thirty years, as part of the Smetana200 project.
British director David Pountney is one of the great admirers and promoters of Czech opera. The Brno audience could see that he can present a view revealing the deepest layers of human dramas during his production of Janáček’s Her Stepdaughter (Jenůfa) in 2004. Together with him, the excellent conductor Tomáš Hanus returns to Brno on this occasion to rehearse Smetana’s Dalibor, which has not been heard on the Brno stages for almost thirty years, as part of the Smetana200 project.